Where the Noise Is

---

Some nights just flow. Nice ‘n’ Easy with Vintage Noise is exactly that kind of evening — unhurried, sophisticated, and full of the kind of music that makes you forget what time it is. This is a night built around the simple pleasure of great songs played beautifully in one of the most stunning settings in Silicon Valley. No rush, no noise — just the warm glow of a May evening, city lights stretching to the horizon, and music that feels like it was made for exactly this moment.

Three of Vintage Noise’s four core members take the stage — Michael Carter on vocals, Mike Hallesy on bass, and Franz J. Díaz on piano. Together they represent the heartbeat of the ensemble, a group of musicians who have spent enough time playing together that the music moves the way only long familiarity allows — intuitive, unhurried, and completely connected. Michael’s rich baritone carries each song with natural ease and genuine warmth. Mike’s bass lines swing with quiet authority, always in service of the moment. And Franz moves through every arrangement with lyrical sophistication and expressive color. This is Vintage Noise at its most essential.

The GrandView’s hilltop perch above San Jose makes every night feel special, but on a warm May evening with the valley glowing below, it becomes something genuinely magical. Exceptional cuisine, attentive service, and a setting that seems designed for evenings exactly like this one. Come early, find your spot, and let the night take its time. Reservations are strongly recommended.

Tessora’s Wine Bar in Campbell plays host to one of the most compelling musical pairings in the Bay Area — Ed Johnson on guitar and Mike Hallesy on bass — for an intimate evening of jazz and bossa nova that proves great music doesn’t need a big stage to leave a lasting impression. Pour something wonderful, find a good seat, and let the night surprise you.

Ed Johnson has spent a lifetime inside Brazilian music — not studying it from the outside, but living in it. Born in San Francisco and raised in Palo Alto, he discovered Jobim as a teenager and never looked back. Seven internationally acclaimed recordings later, JazzTimes called him one of the finest Brazilian composers in the world. His guitar sits just behind the beat — lush, rhythmic, and unmistakably Brazilian — giving every tune its warmth and ease. Alongside him, Mike Hallesy brings a bass player’s lifetime of experience to the groove — a musician whose double bass has shared stages with Larry Vuckovich, Noel Jewkes, Jackie Ryan, and the San Jose Jazz Summer Fest. His lines are authoritative without ever being showy, always in service of the song. Together these two create a sound that is both intimate and deeply satisfying.

Tessora’s Wine Bar is exactly the right room for an evening like this — warm, relaxed, and built for lingering. Add two of the Bay Area’s finest instrumentalists and you have everything you need for a perfect night out. No cover charge. Come as you are.

Some nights need no gimmick, no theme, no concept beyond the music itself. Classic Jazz at The GrandView is exactly that — a pure, unadorned evening of straight ahead jazz played by three musicians who between them have forgotten more about this music than most people will ever know. This is the kind of night that reminds you why jazz endures — melodic, spontaneous, and deeply satisfying in ways that are hard to explain but impossible to miss.

The trio features Michael Carter on vocals, Joe Roark on piano, and Marty Honda on bass and violin. Joe's piano playing brings both rhythmic drive and lyrical elegance to the bandstand, his command of the jazz vocabulary giving the ensemble a sophisticated harmonic foundation that elevates every tune. Marty Honda — a musician of extraordinary range who co-leads TC Jazz and moves comfortably from Cole Porter to Miles Davis and beyond — holds down the groove on bass with the quiet authority of someone who has been doing this for a long time. And when the violin comes out, the room gets a little more interesting. That's just a bonus. Michael Carter ties it all together on vocals, his rich baritone and effortless phrasing bringing the Great American Songbook to life with warmth and genuine musicality.

The GrandView's hilltop perch above San Jose is the perfect setting for an evening like this — panoramic views stretching across Silicon Valley, exceptional cuisine, and an atmosphere that naturally invites you to slow down and stay a while. As May draws to a close and the city lights shimmer below, Classic Jazz at The GrandView sends the month out in the finest possible style. Reservations are strongly recommended.

Before the Great American Songbook became jazz canon, it lived on Broadway — in the pit orchestras, the spotlight moments, and the songs that stopped shows cold. A Night on Broadway celebrates that rich tradition, bringing the most enduring melodies from the American musical theatre to The GrandView for an evening that is equal parts nostalgic and completely timeless. These are the songs that defined generations of great singers, and tonight they get the treatment they deserve.

Vintage Noise brings Michael Carter on vocals and Franz J. Díaz on piano to anchor the evening, joined by a special guest who adds another dimension to an already compelling lineup. Michael's baritone was made for this repertoire — warm, expressive, and deeply musical, he moves through the Broadway canon with the authority of someone who understands not just the notes but the stories behind them. Franz's piano playing provides the perfect harmonic backdrop, his lyrical touch and Latin sophistication giving familiar songs a fresh and captivating perspective.

The GrandView provides a setting worthy of the material — breathtaking views, refined dining, and an intimate atmosphere that makes every song feel like it was performed just for you. A Night on Broadway is the kind of evening that reminds you why these songs have lasted. Reservations are strongly recommended.

Some songs say everything without saying too much. Somethin' Stupid is an evening built around exactly that feeling — the kind of music that captures the quiet magic of a moment, a glance across the room, a night that turns out better than expected. These are the songs that make you feel something without quite being able to explain why. Come with someone worth sharing a Friday night with and let the music do the rest.

Vintage Noise brings Michael Carter on vocals, Mike Hallesy on bass, and Franz J. Díaz on piano for an evening of timeless standards and Great American Songbook classics delivered with warmth, elegance, and genuine musicality. Michael's rich baritone carries each song with effortless authority — smooth, unhurried, and deeply expressive. Mike Hallesy anchors the groove with his characteristically warm and swinging bass lines, giving the music its quiet heartbeat. And Franz J. Díaz moves through each arrangement with lyrical sophistication, his piano playing adding color and depth to every moment. Together they create a sound that is refined, intimate, and impossible to resist.

High above Silicon Valley, The GrandView sets the scene perfectly — panoramic views, exceptional cuisine, and an atmosphere that feels tailor made for an evening like this. As the city lights begin to shimmer across the South Bay and the music fills the room, Somethin' Stupid becomes exactly the kind of Friday night you'll be talking about come Monday. Reservations are strongly recommended.

He never played The Backroom. But tonight it feels like he could have. In the Style of Sinatra brings the swagger, the sophistication, and the timeless cool of the Chairman of the Board to one of Berkeley's most intimate and celebrated live music venues — and Vintage Noise delivers it with the kind of authenticity and musicality that only comes from musicians who truly love this repertoire. This is not an imitation. This is a celebration.

The full Vintage Noise ensemble takes the stage — Michael Carter on vocals, Ed Johnson on guitar, Franz J. Díaz on piano, and Mike Hallesy on bass. This is the complete picture — four musicians who between them cover every dimension of the Sinatra sound, from the swinging big band energy of the early years to the quiet introspection of the later ballads. Michael's rich baritone carries the weight of the repertoire with natural ease, Ed's guitar adds warmth and rhythmic drive, Franz shapes each arrangement with lyrical sophistication, and Mike's bass lines hold it all together with effortless swing. Together they are as close to the real thing as you're going to get.

The Backroom in Berkeley is exactly the kind of room Sinatra would have approved of — intimate, unpretentious, and built for music. With great acoustics, a welcoming atmosphere, and an audience that knows how to listen, it is the perfect setting for an evening like this. Come early, find your spot, and get ready for a night that swings from the first note to the last. Reservations are strongly recommended.

Tickets Available Here